| Operating
iPunch |
| What
are the Minimum System Requirements (i.e. computer
specifications) for running iPunch? |
It
is recommended that your PC have at least the following to
operate iPunch successfully:
- PC: iPunch works only on
Windows (not Macintosh) based
computers. Recommended
Windows versions Windows 98
Second Edition, Windows XP
professional or home edition
- Monitor: At least 17"
(diagonal size) or larger
- Processor: Pentium 3 or better,
800 Mhz clock speed or faster.
- Video Card: Any video card capable
of display resolution mode
of 1024 x 768 pixels / 16-bit high
color or better.
- Memory: If running Windows 98 or
2000, at least 128 Mb RAM.
If running Windows XP, at least 256
Mb RAM.
- Hard Disk Space: At least 200Mb
(including program install
space and work space)
- External Storage: 3.5" Floppy
disk drive, CD/DVD burner
- Pointing Device: Mouse or other
preferred pointer
- External Ports: parallel port or
USB port (ask TEXMAC
sales representative)
- Additional Devices: Flatbed scanner
capable of 1200 x 1200
dpi resolution or greater.
|
| |
| What
are the Recommended System Requirements (i.e.
computer specifications) for running iPunch? What is the
difference between minimum and recommended requirements? |
For
optimum operation of iPunchHome, it is suggested that your PC have at least the following to
operate iPunch successfully:
- PC: iPunch works only on
Windows (not Macintosh) based
computers. Recommended
Windows versions Windows 98
Second Edition, Windows XP
professional or home edition
- Monitor: 19" CRT or 17"
LCD monitor. LCD is ideal for those
spending a lot of time in front of a
computer screen.
- Processor: Pentium 4 or AMD Athlon
XP. 1.4 Ghz clock speed
or faster. Avoid processors
like Intel Celeron.
- Video Card: Any video card capable
of display resolution mode
of 1024 x 768 pixels / 16-bit high
color or better.
- Memory: 256 Mb RAM at the minimum,
512Mb to 1Gb DDR
RAM ideal.
- Hard Disk Space: Ensure that at
least 20%)
- External Storage: 3.5" Floppy
disk drive, CD/DVD burner
- Pointing Device: Mouse or other
preferred pointer
- External Ports: parallel port or
USB port (ask TEXMAC
sales representative)
- Additional Devices: Flatbed scanner (see
min. system
requirements) |
| |
|
| Lettering |
| How
can I generate fill stitch lettering with a satin border? |
Ensure
that you choose a Fill Stitch font family when creating your
text. From the 4 family-types, ensure that you choose
either SEDS Fill or TTF Fill. Then, after entering your
text, manipulating the outlines to your desire, and have
reached the point where the proposed start/end points appear
on each letter (the outlines will be covered with red and
green dots), find the Border Stitch Type in the settings bar
at the top and choose the Satin option before generating
stitches. |
| |
|
| How
do I generate good-quality small lettering? |
Go
to the software support page on
this website and click on the link for Key Settings for
Lettering, which describes how to get good-quality lettering
in your SEDS or iPunch system. While for now the same as
Version 6.7, the stitch values remain the same for iPunch
Version 7 and 8. |
| |
|
| Are
there any other fill stitch options for large lettering? |
Yes!
There is an option located to the right of the you have the added
bonus of using this option with the radial stitch lettering
styles. Just activate it by changing the "Satin" option to "Fill"
in the Mode Control icons. You can even control the needlepoint
pattern with the cycle, offset and stitch length parameters. |
| |
|
| I
am trying to digitize my own satin letters. Are
there any good guidelines for doing this? |
1.
On lettering with "feet" or serifs, such as Times
New Roman, If the "foot" or serif will result in
wide satin stitches (typically wider than 6-8 mm) I definitely
break it up into a separate section.
2. Satins can't "branch" -
objects can't be drawn so that the satin stitch splits up into
more than 1 "fork" in the road. A separate section
needs to be created.
3. When breaking up a letter, think of
how it is written or drawn(i.e. with a calligraphy brush) -
make sure that "finishing strokes" such as the
crossbar on the "t" or the loop in a cursive
"o" sews atop the rest of the letter - just as it
would be in sequence if drawn or painted.
4. When in doubt, examine the way the
lettering was created in an SEDS Satin font - generate the
stitches and try to deduce the reasoning for the way it is
broken up or sequenced. |
| Digitizing |
| Besides
scanning, what other ways can I use to import artwork
into the program for tracing and digitizing? |
You
can import all major graphics file formats, including BMP, TIF,
JPG, GIF, PCX, and Photoshop PSD files. iPunch will even read
WMF or EMF files, which already have objects, or wire
frames that you can use to build stitch groups on. From the
File pulldown menu, you can use the Import Template command
to import images to trace, and Import Object command to take
advantage of the special features of WMF files. |
| |
|
| Is
there a way to set the fill stitch angle by doing it
visually instead of entering a number in degrees? |
Yes!
Before clicking on Go to Punching, use the Ruler/Angle tool
to draw a line at the desired angle. When you click to set the
line, the angle is entered automatically in the fill stitch
setting box. |
| |
|
| Can
I customize my auto lock stitch? |
Yes!
Go to the Tools and choose Options. Look for
the lock stitch pattern. By default at installation the
pattern is set to a single value of -0.20. This means
that after sewing the final stitch, the program adds another
stitch exactly 0.2mm back along the direction of the last stitch,
then sews 1 more stitch back at the final point. You can
customize this by adding negative (backwards) and positive (forward)
values separated by commas. A good example is this
popular lock stitch pattern:
-.5,.5,-.5
As a result, after sewing the last stitch of a given stitch
block, an additional stitch is added half a mm behind the last stitch,
then a second one half a mm forward, then a third half a mm behind
the second, and a fourth one back at the final point
of the stitch block. As you may have noticed, the final
return stitch does not have to be included in the numbers you
list.
Make sure you click ok in the Options box to save your
changes! |
| |
|
| When
building a fill stitch, I get the error message "object
for fill stitch is wrong". How do I fix this? |
1.
CLOSED OBJECTS: All objects that define the fill
stitch need to be CLOSED object such as a box or a
circle/ellipse. Or if you build the shape with the
Polycurve tool, remember to close the object by
moving your final point atop the original point.
closed" mode before double-clicking to finish the
shape. Press the letter "O" to do this -
you'll see the 2 ends join each other.
2.
NON-INTERSECTING OBJECTS: If you're creating a
complex fill (i.e. one with a cutout like a donut or the
side of a house with the windows cut out), make sure that
the objects that define the inner cutouts are not only
closed as well as in (1) above, but also don't cross each
other and also don't cross the outer object as well.
3.
WATCH YOUR SELECTION. Another common error
that is made is that objects other than the ones you need
for the fill stitch are also selected. Try Deselect
All, then re-select the object(s) with the Point Select mode
(while holding the CTRL key if selecting more than one
object).
|
| |
|
| How
can I create a color fade effect in iPunch7 or 8? |
You can do this using the Gradient FIll
stitch type - just go to Special
Stitches in the stitch type menu and choose it from there.
A common technique is to fill with a regular fill in one color
first, then overlay with the gradient - the 2 will blend nicely
together as long as they're laid at the same angle. Be
sure to explore all the options for varying the densities and
the sides from which the gradient opens up or becomes dense. |
| |
|
| How
do Automatic Lock Stitches in work in iPunch7 or 8? |
By
default, the program adds the automatic lock stitch wherever
you add a trim to your stitch group. You can see this
setting in the Mode Control functions to the right of the
design magnification percentage at the top-right
portion of the program window. The default is " 'Auto
Lock Stitch With Trim," which causes the program to do
as described. The other 2 options are "Lock Stitch
On", which generates a lock stitch on every stitch block
you create. This is recommended for large satin letters.
The third option, "Lock Stitch Off, prevents auto lock
stitch generation, period. |
| Editing |
| I
forgot to add underlay (or density, or pull
compensation) to the stitch group I generated.
How do I go back and fix this? |
Use
the Change Stitch Settings tool to to change this or any other
stitch parameter you wish to edit. Just select the stitch group
you wish to edit and click on this tool in the editing section
of the primary toolbar.
That stitch group's settings will be displayed in the settings
box. Make any changes you wish, and right-click in the design
window and choose Enter.. The program makes the changes instantly. |
| |
|
| I
forgot to add underlay (or I need to adjust the
density, or pull compensation) to the
auto-text I generated.
How do I go back and fix this? |
Use
the Change Stitch Settings tool
just like in the question
above.
|
| |
|
| Do
you have the hotkeys for the program listed anywhere? |
Yes!
Here's the link: Hotkey
List for iPunch Version 7&8. |
| |
|
| My
fill stitch "e" has strange bulges in it when I add external
(pull) compensation. I can't figure out how to get rid of
them. What do I do? |
Use
the other type of pull compensation, which allows you to enter the compensation as a
value in mm. Here's an explanation of how external
compensation works in the software - you have 2 options:
By percentage: the additional width is based on a percentage
of the length of that particular row of stitching. So on the
"O" and the 'e"s or other letters with loops, if it's a fill
stitch, from the top, it sews the tip (very short) so 10 percent
(for example) of that row is very small. But as the row goes
longer, 10 percent of that given row results in more and more
added width. But where an "o" or an "e" suddenly splits from
one long row to 2 separate rows for the sides, each separate
row is suddenly much narrower, so there is dramatically less
pull compensation, very suddenly. That explains why you get
the strange "bulges" on either side.
By absolute value in mm: the added width is measured
strictly in millimeters (example: value of 1.0 means added .5
mm on either side), regardless of the shape of the fill or satin
stitch at that point. For this reason, it's often better to
use this for complex fills and other stitch groups whose width
varies greatly. |
| |
|
| I'm
new to digitizing and the file that I created sews messy
with a lot of jump stitches. How do I clean them up? |
EDITING
THE SEQUENCE AND PATHING OF A DESIGN
1. Check the design's sequence and the pathing.
a. View the file with jump stitches. (this tool is located at
the
bottom-left corner of the design window behind "View Stitches
with Needle Points".
b. Open the Stitch Browser. You can see the color
sequence immediately and find unnecessary color changes.
c. Redraw the stitching to see how it sews.
d. View in Simulation - (F10) - this will show any undesirable
underlay or otherwise faulty running stitches.
2. Fix the sequence inside of a stitch block
with Change In and Out Points
Be sure to check back for a detailed
explanation for this coming soon! |
| |
|
| How
do I control jump stitches and where they start or
finish? |
Jump
stitches are controlled with good pathing procedures as you
digitize. As a rule, the program always places jump stitches between 2 given stitch groups as long as you don't tell it to trim or as long as you don't "draw" a running stitch between them as you're creating them. The jump stitches ALWAYS start at the last point of the first of said 2 stitch groups and end at the start point of the second one. You can control where the jump
stitch falls by changing the starting or ending point of either stitch group.
Follow the procedure below to do this. |
| |
|
| How
do I change where a stitch group starts and ends? |
1.
Select the stitch group whose starting and/or ending points you wish to change. (it is better to select only one stitch group to avoid confusion) If you're doing this to edit jump stitches, change the program view mode to "View With Jump Stitches instead of "View Stitches with Needle Points" at the lower-left corner of the design window. Jump stitches will appear as white dashed lines.
2. . Click on Change In and Out Points In the Edit tools, on the right
side.
3.The starting and ending points appear as a red and green dot. As long as they're not on top of each other, they'll be connected with a single white line (for visibility purposes, nothing else)
4. Move one or both by clicking on one (don't hold), moving it to a new location, and clicking
again to set it down. You can do this as many times as you wish.
5. Right-click in the design window to re-generate that stitch group
when satisfied so that it starts and finishes according to your desired changes. The jump stitches should immediately move according to what you've done.
NOTE 1: If the In or Out point is placed somewhere outside the shape of that stitch group, the program generates a running stitch to that point that sinks needle penetration points into the fabric. If this is desired, it is better to put the In or Out point on the edge nearest the location of entry/exit and travel to/from there with a manual stitch, as you'd have more control.
NOTE 2: For stitch groups imported from Tajima, EXP and other
expanded design formats, changing the in and out points will not re-generate that stitch group. You'll need to recreate that stitch group or use the program's conversion tool to convert it to a condensed satin or fill stitch type.
|
| |
|
| How
do I Resize another Design using iPunch 7
or 8 ? |
If
your design was created in iPunch or are in CND format:
Select the stitches, grab one of the black corner nodes,
and drag to resize! The stitch count adjusts itself
automatically.
If your design was a DST, EXP or other expanded file format:
1.
Select the part of the design you wish to resize. If you want to
resize the whole design, click CTRL+A to select all.
2. Find the +/- key in the
Primary Toolbar and click on it. (Change Size/# of stitches).
You can find this behind Change Settings in the Primary
toolbar - left-click and hold on the tool and you'll see the
+/- icon all the way on the right.
3. The settings bar at the top
will change. Find the new icon with the +/- symbol on it and
click/hold on it. 3 options will appear. Left-click to choose
the second one, labeled "Change Size of Stitch Groups".
4. The boxes to the right of
this will change to show 2 columns of numbers:
a. The first column reflects
the width of whatever you've selected in mm at the top, with the
bottom showing the original percentage of the original size you're
starting out with. Enter a new value in either box to resize the
width. For example, if you want to double the width, enter 200%. Or
if your selection is showing that it's 52mm wide (about 2 inches)
and you want it to be 4 inches wide (about 101 mm), enter that
value.
b. The second column reflects
the height of whatever you've selected in mm at the top, with the
bottom showing the percentage of the original size you're starting
out with. To change the height, do the same as you did for the
width. If you want to make sure the height-width ratio does not
change (i.e. you don't squash or flatten the design) make sure the
new percentage values in both boxes are the same.
c. Right-click in the design window and choose
Enter. The selected stitches will be resized, and the stitch count
will be adjusted accordingly. Note that your program will not allow
the selection to be increased in size if it thinks the new size will
go beyond the file's canvas size (the size shown at the top left
corner of the design in mm). If you need to expand this, go to
Edit..Properties and add additional height and width, click Canvas
and then OK.
Note that this procedure works
well (in general, there are occasional exceptions) with either
stitches you've created or even expanded stitches (i.e. from an
imported Tajima or EXP file).
|
| |
|
| How
do I Cut a stitch group into 2 or more parts using
iPunch? |
1.
Select the stitch group to be cut. To make things
easier, press the letter "X" on your keyboard to
"ghost out" the non-selected stitches.
2. Click on
Stitch Edit in the Primary toolbar.
3. Click on the stitch you wish to cut on the
selected stitch group. The stitch will be highlighted it
when you select it. You don't have to get the exact one
- you can use the left and right arrow keys on your keyboard
to navigate to the one you want to split!
4. .Separate the stitches. When you've
highlighted the stitch where you want the split to occur,
right-click in the design window and choose "Separate
Stitches" from the menu that appears.
5. Continue as desired! Do
this by navigating forwards or backwards with the right- and
left- arrow keys to other points in the selected stitch
group. If you go beyond the selected stitch group,
you'll see the selection markers shift to highlight the next
stitch block in sequence before or after. |
| File
Management |
| What
sewing formats can iPunch use? What can it save to? |
iPunch
Home can open these formats: .ehf, .dst, .exp, pec, pes, pcs, pcm, hus, .sew
iPunch Home can also save to these same formats.
|
| I
would like to email a picture of my work to a customer. How
do I create an image (jpg, bmp, etc) of my digitized file in
3-D simulation mode? |
There
is no direct way in the current version of iPunch to do this
instantly. However, you can do this yourself using the PRINT
SCRN button on the keyboard of your computer. Just
follow these steps:
|
1. |
Open the design in
iPunch and view in 3-D simulation mode using the
icon or the shortcut key F10. As a general
recommendation, view it as large as you can. Make
sure the cursor is not anywhere on top of the design. |
|
|
2. |
Press the PRINT SCRN
button on the keyboard of your PC and wait 1-2
seconds. (Nothing will appear to happen.) |
|
|
3. |
Open your preferred
image editing software (i.e. Photoshop, PhotoPaint,
PhotoDeluxe). If you do not have any such program
installed on your computer, Microsoft Paint will do just
fine (click START... PROGRAMS... ACCESSORIES... PAINT) |
|
|
4. |
Open a blank document in
your image editing software (this is automatic in Paint
so you can skip this step if using Paint. |
|
|
5. |
Click Edit.... then
Paste. An image of your entire Windows screen
including the embroidery design in 3-D will
appear. |
|
|
6. |
Use a Select tool
in your software to select only the image of the
embroidery design (in Paint, use the Rectangle Select
tool) |
|
|
7. |
Paste the image into a
new window. Choose Edit..Copy to put the
selection from step (6) above into memory, then open a
new file in your software and chose Edit..Paste to paste
the contents in memory (in this case, the captured 3-D
image of your digitized file) into a new window. |
|
|
8. |
Save your image. The
image can now be saved in an image format that can be
opened and viewed in most other computers. |
|
|
| I
digitized the color groups of my design in a scattered
sequence. How do I change the sewing sequence to
simplify the color changes? |
Use
the Stitch Browser - you'll find it at the top of the program
window, just to the left of the current view magnification
box. The stitch browser displays the design as a
sequential series of frames showing the sewing order by color
groups. You can click on frames to highlight them, then
drag them to different positions in the sewing order.
Try right-clicking on a frame to after selecting it and you'll
see a lot of other interesting options you can do with
this.
|
| How
do I combine 2 designs or paste part of a design into
another? |
1.
Open both designs
in iPunch 7 or 8.
2. Select
the stitches you'll be copying from the "donor"
design. If you're copying the whole design, you can
do this by pressing CTRL-A (the common Windows shortcut for
"Select All").
3. Choose Copy from the Edit pulldown
menu at the top of the program.
4. Click
on the design that will be "receiving" the stitches.
Make sure that its canvas area is large enough to fit both
the existing stitches and the one you're about to paste.
If not, you can change this from Edit..Properties, add
additional room in mm or inches, check the Canvas option and
click OK..
5. Choose Paste
from the Edit pulldown menu at the top of
the program. An outline of the copied stitches appears
on your cursor. Click in the desired location to set it
down. Then, if you wish not to paste additional copies,
press the ESCAPE key.
|